Try The Modern Literary Novel site here with its emphasis on the translated novel. The site describes itself as follows:
The purpose of this site is to give an idiosyncratic view of modern (i.e. more or less 20th/21st century) literature, as represented by the novel. It is biased towards my taste and towards the English-speaking world and Europe. You will find very little reference to short stories, drama, poetry and other literary forms, not because I do not consider them worthwhile but because I have less interest in and knowledge of them.
Most, though certainly not all, the books mentioned here have been published in English, though many are now sadly out-of-print. This site is strictly non-academic. I am not and have never been an academic and have aimed it at the intelligent reader who reads modern literature for pleasure.
Among the Japanese writers are Kenzaburo Oe, and Haruki Murakami, whom I have read. There is a very enlightening review of Murakami's Kafka on the Shore - a novel I have read and impressed by and for which my notes will probably appear in the future - and Killing Commendatore - and his view is similar to hmine (mine was negative and will also to appear here in the future). With Kenzaburo Oe's A Personal Matter there is pretty much a plot summary compared to what he does with the Murakami books.
With the Europeans here has:
Milan Kundera - The Joke gets a short summary while The Unbearable Lightness of Being gets some serious criticism.
László Krasznahorkai has and external links
Magda Szabó's article has a comment on Abigail - including a plot description better than you will get from me and a positive conclusion.
David Albahari has a bio paragraph, some links but no commentary on Gotz and Meyer, the only novel I have read by Albahari
Mikhail Bulgakov appears with a comment on The Master and Margarita - which of course he likes (and who doesn’t?)
Victor Pelevin gets a bio paragraph and comments on several of Pelevin’s books but not A Werewolf Problem in Central Russia
Georgi Gospodinov - a paragraph for a bio, links and gets a discussion of his Natural Novel which concludes with:
...In the end… What? He sits in his battered and much repaired rocking chair. He becomes a tramp and his old friends don’t recognise him any more. In the end, nothing. This is not a realist novel so, while it can have multiple beginnings, it really does not need a conventional end. It is very well done and very well written. If this does not kill the realist novel, nothing will.
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