Showing posts with label Supervised release. Show all posts
Showing posts with label Supervised release. Show all posts

Tuesday, August 18, 2026

The Inauspicous Beginnings of Another Week in Muncie

 I got out and about yesterday. I fixed the problems with Xfinity, had brunch at Jersey Mike's and shopped at Aldi's.

I had to schlep my groceries from University to Riverside, a walk about 4 short blocks, and that did me in for most of the day. 

It was a gloomy day and humid. It was one of those Indiana's days when it's like living in a warm, damp sponge.

I slept most of the afternoon and into the evening. Then I could not sleep. I watched a bit more of Penny Dreadful. I had seen most of it years ago and am finishing it up. I like its variations on the idea of Alan Moore's League of Extraordinary Gentlemen. It also made an interesting comment on Frankenstein, that he could create but had no interest in nurture. There is something to think about in that; especially in light of Mary Shelley being Frankenstein's creator.

I went down to the convenience store when I finally felt the energy to move about. A blue, clear sky above, a coolness in the wind, and a pleasant deficit of humidity.

The time since has been spent on reading online articles and answering emails. I do not feel like I have the energy to work on a short story that I have in the works. Perhaps the article.  

CRAFT rejected “After Making Landfall”:

Thank you for sending "After Making Landfall" to CRAFT for consideration. We appreciate the opportunity to review your work. At this time, however, we must say no to this piece. Best of luck placing this one elsewhere soon.

Best,

The Editors 

I did not realize the connection between 9:45 p.m. update: In Madison County: 'Flood cleanup kits,' microbursts and a Fall Creek crest (heraldbulletin.com), One American dinner staple faces a historic shortage with no quick fix (Fox Business) and White River cresting around Martinsville | Monday A.M. River Update Across Indiana (wthr.com) until today. Climate change.

There was some debate during the group session last week about what was meant by a hundred year flood, and I learned with were all wrong. U.S. Geological Survey's The 100-Year Flood explains:

"100-year floods can happen 2 years in a row"

Statistical techniques, through a process called frequency analysis, are used to estimate the probability of the occurrence of a given precipitation event. The recurrence interval is based on the probability that the given event will be equaled or exceeded in any given year. For example, assume there is a 1 in 50 chance that 6.60 inches of rain will fall in a certain area in a 24-hour period during any given year. Thus, a rainfall total of 6.60 inches in a consecutive 24-hour period is said to have a 50-year recurrence interval. Likewise, using a frequency analysis (Interagency Advisory Committee on Water Data, 1982) there is a 1 in 100 chance that a streamflow of 15,000 cubic feet per second (ft3/s) will occur during any year at a certain streamflow-measurement site. Thus, a peak flow of 15,000 ft3/s at the site is said to have a 100-year recurrence interval. Rainfall recurrence intervals are based on both the magnitude and the duration of a rainfall event, whereas streamflow recurrence intervals are based solely on the magnitude of the annual peak flow.

Ten or more years of data are required to perform a frequency analysis for the determination of recurrence intervals. Of course, the more years of historical data the better—a hydrologist will have more confidence on an analysis of a river with 30 years of record than one based on 10 years of record.

Integrity has been so diminished of late but I was shocked by Capitalism, as Told by Its Enemies - Phillip W. Magness, Caleb Petitt (The Dispatch). No one is perfect, no human being sees all; therefore, intellectual integrity requires us to admit as much. Mr. Magness and Mr. Pettit provide what such integrity should look like:

A more balanced entry on capitalism for the SEP could have offered a constructive assessment of this subject, its history, and the contemporary state of scholarship around it. Such an entry could still have room for critics in the Marxist and many other socialist traditions, but they would not have the disproportionate dominance found in Cordelli’s piece. Instead, a better entry might include serious engagement with the Scottish Enlightenment precursors to the emergence of market capitalism in the late 18th century, with references to David Hume’s work on trade and currency, as well as something more than superficial references to Adam Smith. 

It might also discuss how the ideas we call “capitalism” came to supplant an older mercantilist economic order that used government policies to steer an economy for nationalistic objectives. It might also discuss the period of both political and philosophical contestation between the “capitalist” and “Marxian communist” worlds following the Bolshevik Revolution of 1917 and culminating in the collapse of the latter in 1991. It could discuss in greater depth the theoretical contributions of institutionalist economists like Ronald Coase, Oliver Williamson, and Douglass North in the mid-20th century around the theory of a market economy. It might mention Deirdre McCloskey’s work on the Great Enrichment as a positive argument for what we colloquially refer to as capitalism. And it might explore the tensions between these and other theorists of market capitalism. As it stands, this rich and complex academic literature receives nary a mention beyond a few passing citations.

Since capitalism is fundamentally an economic concept, one could reasonably expect to see mainstream economic voices discussed, and competently so, by someone versed in economic theory. There would be a clear description of how profits work both as signals of demand and incentives for entrepreneurship, how competition between firms disciplines market actors, how market prices make economic calculation possible by signaling the relative scarcity of goods in a common denominator, and how government policies contribute to the creation of monopolies. Marxist and socialist critiques of capitalism from the far left would also be balanced with mainstream economic critiques of socialism. Early in the 20th century, there was famously a debate among economists over whether socialist central planners were capable of engaging in economic calculation. The economists who argued against the possibility of socialist calculation ultimately won the debate—though one would not know this from reading Cordelli’s entry.

Welfarist arguments for capitalism would not be confined to a single paragraph, and would describe in detail how free-market capitalism has been responsible for lifting the world out of poverty. The way that capitalism incentivizes entrepreneurship, and the role entrepreneurs play in arbitrage and the creation of new goods and services, would play a more important role than the entry’s single paragraph on Joseph Schumpeter, the first economist to make entrepreneurship central to the understanding of economic development and change. 

The Stanford Encyclopedia of Philosophy’s unwillingness to select an author for the entry on capitalism who could provide a charitable or even neutral assessment of the concept is ultimately unscholarly. In the 20th century, socialism resulted in the deaths of tens of millions of people, and capitalism and free markets were the critical factors for lifting billions out of poverty, and yet it is socialism that received the positive encyclopedia entry and capitalism that garnered the hate. Such imbalances could only emerge from an academic environment in which an ideological echo chamber supplants rigorous peer review, and the fashionable socialist perspectives of the professoriate lead it to mistake bad caricatures of a market economy for descriptive fact.

Humility requires we acknowledge our failings.

sch 

Friday, August 14, 2026

Friday and The Aftermath

 I worked on blog posts this morning before heading over to the group thing.

This is what Muncie looked like a little before 11 AM.




 My stomach has not been so steady, so I got the vegetable dumplings at The Sumpling House. The waiter whose child died was not; what grief for a young couple.

Before starting the session, I had time to walk over to White River west of Tillotson. 













 I did my grocery shopping, missed the #14 at 2:30, and did not get home until after 3 pm. I was tired, napped for a bit over an hour.

This is what we have now:


 sch

Thursday, August 13, 2026

The Deluge Is Upon Us

Monday was almost a complete write-off; another one of those lethargic days.

So, notes were collected and are now being published. 

8/10 

I decided against submitting but I found Strange Hymnal a beautiful site with very interesting writings. Please give it a look.

Submissions: 

Plain Tales from The Flatlands to Split/Lip Press, Slant Books, and Boudin Novelette Chapbook Contest.

The Unintended Consequences of Art to Sequestrum 

8/11: 

“After Making Landfall” rejected:

Thank you for your fiction submission to Unbound Ink. Although it isn’t the right fit for our journal at this time, we truly appreciated the opportunity to read it. We wish you all the best in finding a home for your work, and welcome future submissions to our literary magazine.


All the best,
Rosanne and Allison
Co-editors, Unbound Ink  

I made it to Matins, retrieved my phone, and headed out to do some grocery shopping. Only the deluge started. I got smokes and got home soaked, even with an umbrella. It was supposed to be a light rain.

I made it to Payless later in the afternoon. 

8/12:

J  was to come over for lunch. I broke the date. I had been raining hard off and on since yesterday. I woke twice n the night to the sound of pouring rain.

I did need to go out to the Sheriff's for my year check in, that I was not being a threat to the peace and safety of Delwawre County, Indiana. That was the most harrowing bus ride I have ever had. Some streets were flooded, the DIY warehouse's parking lot had about two feet of water covering it, and several routes had detours.

I got the photos off the camera and have posts that will be appearing over the coming days of photography.

I  ate dinner at Savage's Ale House. Maybe I ate too much, but it is still bothering me. Not that the sandwich was not wonderful.

I went to sleep early, but that lasted only four hours.

8/13:

Up early to a gloomy day. No rain, but no sun. Have had enough. Going to make a groundhog and wait to do more. I do not feel like writing.


 

sch 

 

Monday, August 10, 2026

 Yesterday, I did the most walking I have done since the surgery. There was a baptism at 8:30. I made it almost to St. Barnabas on my own power. Then it was down and back to White River.

I napped for maybe two hours when I got back. 

 I spent the rest of the daydoing some revising “The Dead and Dying” novella. I made some changes - small ones - after the writing group on Wednesday. Those I did yesterday then added sections for a newer character that feature John B. Harvey and Albert Hyatt. I added one for Hyatt that involves Mike Devlin pulling him into politics. I found a publisher that will take novellas but has a 100 page bottom requirement. I hit 101 tonight.

No appetite. Not sure what that means.

One rejection received: 

Dear Samuel,  

Thank you for thinking of NewMyths. Unfortunately “The Unintended Consequences of Art” is not quite what we are looking for at this time. We wish you good luck placing it elsewhere.

Susan Shell Winston, editor

I already began procrastinating this morning: 

Traces of Two Extinct 'Ghost' Ancestors Were Found Hiding in Modern Human DNA, Hinting at Our Extremely Complex Family Tree

Two thoughts: I left my phone at churcfh and I am up way too early. 


 sch

 
 

Thursday, August 6, 2026

Once More Lagging Behind: Rejections, Ideas, Submissions

 8/6

I find myself tired and dealing with insomnia this week. It has gotten in the way of reporting my days.

Last Saturday was my most active day out of the apartment. Laundry, the farmer's market, a quick lunch at Popeye's, and the car returned was the morning. I got back here around 1 PM. Then I found out my friend DM was in town for DWNTN Muncie. He and I grabbed lunch at the Downtown Farmstand. He agrees they have great pizza. That took up about two hours. I arrived here a bit achy.

I have photos that will appear in a separate post. 

Sunday, I managed Liturgy but only Liturgy. A little weak doing all that standing, but also from the sitting and standing up.

I need to get out today. I seem to have lost my pants on Saturday. Confused by that.

I woke around one and went back to sleep around 5 AM and then back up around 10.  

Emails and Star Trek Discovery dealt with.

I started a new short story.

Onto other things. 

8/3

I went to the grocery, I think. Certainly to the convenience store. Watching Star Trek shows on YouTube.

8/4

I started this post.  

Stayed put, a convenience store walk. Working on the MS.  

Reminded last night of something unpleasant: Murder of Sylvia Likens. This I did not know about until my forties. One may smile and smile and be a villain indeed.

8/5

I meant to spend the day out. All I did was get to the writer's group and in the evening to Walmart.

 

 


 Readings:

‘I want to be ripped to shreds’: writers flock to MFAs - but does it breed elitist literature? (The Guardian) touches on a sore point for me: MFAs running the show and me not having one.

These days, the writerly lone wolf is more a myth than it is a reality. Most of today’s celebrated authors are trained in the profession and their qualification is the MFA (master of fine arts). Percival Everett received his from Brown, Chimamanda Ngozi Adichie studied at Johns Hopkins University, and Jhumpa Lahiri went to Boston. Great writers, now, are less rare animals discovered in the wild and more elite thoroughbreds, meticulously trained and set up for the race ahead.

 But is it a good thing?

While the idea that the workshop is de facto a magical, hermeneutic space where mediocre writing turns into something great is a lie, it can be a tool. For the most part my workshops were generous and generative spaces where people read plentifully and with grace. A writer who is forced to confront her work regularly through the eyes of others must think about what it is she wants to write and why, and this inevitably leads to writing that is more thoughtful and ambitious. Of course, learning who to listen to is a skill in itself. 

One rejection came with a critique and a recommendation to workshop my story. Okay, could it be that workshopping also offloads editorial work? 

What seems to be the consensus is that an MFA teaches you style as opposed to soul. A focus on craft, on how to write, creates automatons who can turn a good phrase, but whose writing is stripped of something essential. Pulitzer prize-winning Robert Olen Butler, interviewed by Edward J Delaney for the Atlantic, sums it up: “creative-writing students, who are typically trained almost exclusively in craft and technique […] don’t know the first thing about [being an artist].” Jo Ann Beard told me she could recognise an Iowa Writer’s Workshop graduate anywhere. There was something honed, particular and controlled in the writing. Perhaps the imprint MFAs have had on fiction feels more forceful at a time when the gulf between literary and popular fiction has never been wider. Do MFAs guard the ivory tower of literary fiction while “untrained” writers produce popular fiction for the masses? Or more generously, do MFAs protect a dying art?

While it is true that spending hours in a classroom under the influence of certain teachers can create similarities in style among a cohort, in my classes students submitted widely: magical realism, noir, historical, auto-fiction. They had epic aspirations.

Yet there is a sense that contemporary fiction conforms to a similar style. Is this because MFAs encourage that? I’m not sure. Or is it rather the influence of narrow trends, which force certain books into the public eye at certain times. That many of the most popular authors today have MFAs, and that those novels might have a similar style or focus on a similar subject is a bit like saying fire engines cause fires.

But a shared education may implicate a shared philosophy. Or it could be a shared culture beyond the MFA program creates a shared world view, or just a shared set of cultural touchstones. What I write about seems to be slightly outside what MFA writers latch upon.

You can drive yourself crazy trying to say exactly how an MFA influences writing, and whether it is worth it. The truth is, an MFA isn’t a magic pill. It’s much harder to pastiche a style than you think; spending hours on anything takes stamina. Doing an MFA puts you in a rigorous environment for several years where, hopefully, you can learn how best you write. As Everett put it in Brown’s alumni magazine: “Brown allowed me to really just be who I am and just work.” 

Ideas:

The Greek Tragedy Behind Suddenly Last Summer - JSTOR Daily

Structurally, The Bacchae and Suddenly Last Summer are dominated by two key monologues, and, specifically, Violet’s and Catharine’s monologues turn Sebastian into the subject of a performed drama. “Sebastian himself, of course, exists only within the competing dramatic accounts of Catharine and Violet,” says Morra. “These expressions are themselves contained within a work that calls continuous attention to itself as drama, vehemently anti-realist and self-consciously subjective. The play refrains from staging or confirming the violence of Sebastian’s demise; even more so than The Bacchae, it contains its narrative at the level of language rather than action.”  

Frame-Breaking: When Stories Step Outside Themselves – The Hemlock Journal

 Description 

If writing descriptions intimidates you, consider breaking the concept down to just remaining mindful. Reflect on what the protagonist is thinking, feeling, and perceiving as they advance through a scene, whether or not you know the “perfect” language to describe that. Then, it will be up to you to decide which of these details are most relevant to convey the tone you’d like a scene to have. Including each of the five senses all at once is rarely necessary—in fact, doing so will work against you by reducing the impact that your words have—so be sure to prioritize what feels like it best fits the moment.

***

A complete lack of description, on the other hand, isolates the reader from the characters, environment, and plotline that they’re meant to bond with by leaving them in the figurative dark. If the reader is given no visuals, sounds, scents, or other details to ground them in a narrative, very little remains for them to connect with to envision our scenes as real. Dialogue and exposition alone, while both incredibly valuable skills for writers, cannot reach their full potential without the aid of description, and the same may be said vice versa.

***

With all of the above in mind, it’s also vital to remember not to rely solely and excessively on description to elevate our writing. Doing so is often referred to as writing purple prose, which many readers prefer to avoid, making it a distinctly unflattering label to have attributed to our narratives. Similarly, utilizing an abundance of repetitive descriptions may begin to fall into the territory of cliché. Because of this, it’s necessary to be mindful of how our descriptive writing works alongside other storytelling aspects like pacing and dialogue, as depending too heavily on descriptions may lead us to neglect equally necessary skills. 

Untranslatable Food Words (Vittles) there is something here, even if it is only a reminder of language's limits.

Rejections 

 8/1 for “The Unintended Consequences of Art”

 Thank you so much for your submission to the Submission Pit’s July ‘26 window.

I regret to inform you that your short story did not win this month but fear not! You’re more than happy to submit for August immediately.

And don’t forget to subscribe to the Submission Pit Substack below if you haven’t already.

Also if you have had a recently published short story elsewhere (or forthcoming) feel free to let us know about it and we'll give you a special shout out in next month's statistics post.

8/3:

Thank you for trusting us with "Agnes." After a close reading, we've decided that the story isn't the the right fit for us at this time.

Sincerely,

StoryBottle Co 

8/4:

Thank you for letting us consider "Pieces About A Small Indiana Factory Town, 1976 – 1984" for publication in the Missouri Review. We enjoyed reading your work, and though it doesn't quite fit our needs at this time, we wish you excellent luck with it and hope we will have the chance to read more of your writing in the future.

Sincerely,

The Editors
The Missouri Review 

Submissions 

8/4:

BoomerLitMag (Agnes 2026-06-26)

Thin Skin (Agnes 2026-06-26)

Passager Books (A Heart’s Judgment Judged)

The Fanatic (After Making Landfall)  

For Page & Screen (Pieces About A Small Indiana Factory Town, 1836 -1990)

Planet Scumm (The Psychotic Ape)

8/5:

I was looking at a possible submission of One Dead Blonde. Only it required another 2,000 words. That took most of the day. 

EPOCH (After Making Landfall) 

Blue Mesa Review  (After Making Landfall)

MIAMI UNIVERSITY PRESS NOVELLA PRIZE (Plain Tales From The Flatlands)

The Iowa Review (After Making Landfall)

 

sch

Monday, August 3, 2026

King Arthur & Odysseus & Albert Camus

 I have been a King Arthur fan since reading T.H. White in high school. I even read Le Morte d'Arthur back then.

The Case for King Arthur (History Today )

None of this excludes the possibility that the later legend might have been based on a fictional character – that remains a strong argument – but the evidence demonstrates that there are several possibilities for a historical Arthur which can withstand the rigours of contemporary source-criticism. Asserting that Arthur was certainly a myth is, therefore, no longer credible.

It is not true that I bend my ear every time Joyce Carol Oates speaks, but maybe it comes close?

Joyce Carol Oates Defends 'The Odyssey' After Translator's Viral Slam 

In general, Oates said she liked Nolan’s film: “[I] highly recommend both Nolan’s film and the 1997 miniseries co-produced by Francis Coppola. The adaptations are notably different: one American, with the brooding middle-aged-boy-hero Matt Damon; the other very Mediterranean, with charismatic Armand Assante who more naturally inhabits the role … no reason why Nolan, or anyone else, should not re-imagine/re-envision a classical hero through the prism of his own invention.”  

 I have eaten dinner, a big bowl of soup, have finished watching Tulsa King and Strange New Worlds. The former works, if you forget the sociopathy of mobsters exposed by The Sopranos. The Trek show has grown on me, as has Anson Mount. The real Trekkers I guess are not happy with its experimentation. That I find its most interesting aspect.

The Absurdity of Albert Camus (History Today)

The key, Camus believed, was to differentiate between rebellion and revolution. As he saw it, revolutions sought to protect freedom and humanity against injustice by creating a perfect social order – in other words, by putting an end to history. The problem is that in trying (and failing) to create an ideal society, revolutions end up crushing the freedom and humanity they purport to be defending. This was especially true of the French Revolution, but no ‘revolutionary’ regime was any better – or worse – than any other. In this respect, Camus believed, the Soviet Union was indistinguishable from Nazi Germany.

Rebellion, by contrast, should respond to injustice by emphasising a shared humanity and by clinging doggedly to the value of human life. It required not just individual commitment, but solidarity with others. As Camus pointed out in Neither Victims, nor Executioners (1946), it should not aim to end history, but to ‘fight within History, to preserve from History that part of man which is not its proper province’.

Camus gave vivid expression to this in The Plague (1947). Set in Oran, in Algeria, during an outbreak of the plague in the 1940s, the novel has been widely recognised as an allegory of the German occupation of France and is, in many ways, a blueprint for his concept of rebellion. As Ronald Aronson has argued, it ‘conveys the unheroic determination to do what must be done in the face of a total threat’. Although the journalist Rambert, for example, initially tries to flee, he eventually resolves to stay and – realising that the plague can only be combatted through solidarity – accepts the risks that entails.

 

sch 7/30 

 

Friday, July 31, 2026

WTF Politics

 Since no one comments, I assume the hits are also runs. Meaning you are looking without reading. Therefore, I have decided to spend less time exploring our politics.

The push to reduce the Supreme Court’s power (SCOTUSblog ) has some good ideas, some stupid ones, and not a sense of a comprehensive reform of comprehensive problems.

How much tuition does an Indiana voucher cover at Indianapolis private schools? (Chalkbeat ) - not enough to keep it from looking like a scam.

In 2016-17, the state reported that almost half of all voucher students had their full tuition and fee amounts covered by the voucher. By 2024-25, that figure had dropped to 28%.

Iran Has Figured Out How to Overwhelm U.S. Air Defenses 

 The U.S. and its allies burned through more than 11,000 munitions, including large amounts of defensive missiles, in the first 16 days of the war alone, according to a March analysis by the Royal United Services Institute. The report predicted then that U.S. forces were about a month away from running out of THAAD interceptors. An April report by the Center for Strategic and International Studies noted that “diminished munitions stockpiles have created a near-term risk.” A follow-up report the next month warned that it would “take three or more years from today to return to prewar inventory levels” of Patriot and THAAD missiles.

Brig. Gen. Hossein Mohebbi, an Islamic Revolutionary Guard Corps spokesperson, said that “Patriot systems have been weakened to such an extent that Iranian missiles and drones are reaching their targets without being intercepted.” He said that during a flurry of attacks from July 8 to July 22, Iran struck numerous air defense and radar installations, including six “Patriot air-defense radars.”

CENTCOM did not reply to a request for comment on the claims by the U.S. official or Mohebbi.

I thought we had destroyed their military months ago. That's what Trump has been telling us, right? 


 I went to Walmart today and spoke with the bus driver. He is certain Fauci's diaries convict Facuci of all sorts of evil-doing.

Fauci Diaries Expose Depths of Katie and Stephen Miller’s Hypocrisy (The New Republic )

Indiana state agencies turning to AI for behind-the-scenes work (Indiana Capital Chronicle )

Agencies using or planning to use AI submit a readiness assessment, which officials then review for the tool’s “objectives, efficacy, and risks.” Once approved, the agency can proceed but must provide followups either annually or after substantial changes to the AI tool or its use.

Many of those approved proposals sought to aid workflows. Several agencies planned to use AI voiceovers for videos and presentations or for parsing and analyzing data. 

But others outlined more extensive use. The attorney general’s office received approval for a Thomson Reuters-owned tool that “provides attorneys with AI-powered legal research tools to generate answers to complex legal questions, draft initial documents, summarize case law, and identify relevant statutes.”

The New Old Middle East (Foreign Affairs)

The United States and Israel cannot bomb their way to a better region. A truly changed Middle East, one that could be the basis for a more stable regional order, would be defined by stronger central governments in Arab states such as Iraq, Lebanon, Syria, and Yemen. Today, those places are plagued by civil war or domestic unrest, and the region will remain volatile as long as those governments are not able to police their borders and prevent nonstate actors in their territories from pursuing their own foreign and military policies. Weak states, after all, cannot make durable peace.

A transformed Middle East would also see an end to the efforts of regional and outside powers, most notably but not exclusively Iran, to encourage or fund militias. It would include a diplomatic process, broadly supported internationally and accepted regionally, focused on working toward a settlement of the Israeli-Palestinian conflict that would ensure Israel’s security and the Palestinians’ right to self-determination. And it might involve genuine regime change in Iran, carried out by the Iranians themselves and resulting in a government that respects its neighbors’ sovereignty and drops the ideological crusade against Israel.

But Trump and people I have met here far from the nearest gears of power think big explosions and a big display of force should be enough to bend the Iranians to our will. I cannot help but think of this old song I first heard from Southside Johnny and the Asbury Jukes:

 


Commerce Dept. quietly announces 7 new equity stakes in private companies  (The Hill)

The announcement comes nearly a year after President Trump announced the federal government would take a 10 percent stake in Intel, one of the nation’s largest chip manufacturers, for roughly $11 billion in federal subsidies the company received.

sch 7/30 

The practice has drawn criticism from Trump’s Republican base. Sen. Todd Young (R-Ind.), who drafted the foundation of the CHIPS and Science Act, said at the time the law never intended to let the federal government take a major stake in Intel or any other major company.

 The real WTF moment of the day.

 

 

 

 

Dumpster Diving on A Friday Morning

I spent the evening working up blog posts. About 9:30 PM, I realized I discovered I could not find the phone. My first idea was to send out emails hoping some of my friends might be awake and they could ring the phone. I gave up on that around midnight. The only thing that had gone out of the apartment was the trash. So, I went dumpster diving along with my COPD and obsesity and the remnants of my surgery, There were two dumpsters. I found my bag in the second one. Only I did not find my phone. That I found when I went back to the apartment, went into the kitchen and saw the damn thing sitting on the counter on the far side of the sink. I do not remember putting it there. Nor did I see it in the three times I went through the apartment looking for it.

I needed a fresh pack of cigarettes, so I walked down to the convenience store, sopping wet from sweat.

Now, I have finished this post, I am calling it a night.

Never said I wasn't an idiot. 

sch 

Wednesday, July 29, 2026

Odds & Ends Wednesday

I mean to do some writing today. And I need to go to the grocery again. Which proves me a bit of a shit since I passed on the writer's group. I got into watching Orphan Black, but truly, I did not feel like having that much human interaction today.

Thinking and reading while watching.

 I read Ray Davies' X-Ray while in prison; of the rock star memoirs, I think it is the best I have read. Definitely a Ray Davies production, far stranger and probably deeper than even Dylan's memoir. But I must not have caught the reference to The Beatles mentioned in Dave Davies on the Kinks’ Beatles rivalry (GuitarPlayer)

Blane Chocklett's Guide to Catching Landlocked Freshwater St (Fly Fisherman) - I can hope, can't I?

A bit of fun while continuing through Orphan BlackWestern RoundUp: The Maverick Queen (1956) (Classic Movie Hub Blog)

sch

Tuesday, July 28, 2026

Starting A New Week - Writing, Literary Stuff, Rejections, Bookers, Colson Whitehead, Otters.

Lollygagging around the apartment this morning. I have gotten caught up with Orphan Black. Now, that is an excellent thriller. I went down to the convenience store. Not sure if I want to go out again.

Yesterday's trip to Walmart was partially successful. I had to leave some items there because I ran out of time to catch the bus. 

Working on the blog last night and today are the closest I came to any writing.

Bad insomnia last night. Discomfort continues from the surgery. I really want to take it easy, to do this recovery right.

Items related to writing follow.

 How To Write the Perfect Cover Letter Even Tho Nobody Cares (+ formatting and submission methods)

 (3) The Do’s and Don’ts of Cover Letters

 Writing Queernormative Worlds: World Building Workshop - C. M. Rosens

‘It Was A Matter Of Lust’ and other poems - Literary Yard

The Booker Prize 2026 not likely to read them any more than I get any other books read.

Should the Booker Prize Be Quirkier? (Thornfield Hall)

Emily Wilson · An Uncomplicated Man should be a laugh for Musk and the racist trolls who were so worried about a feminist Odyssey because Nolan used Wilson's translation. 

ROFLMAO: Nolan's 'The Odyssey' ruined a poem I never bothered to read

 What I Learned from a Close Read of All of Colson Whitehead’s Work (Literary Hub) an overview of one of America's best writers.

Oops, I thought I had withdrawn this one:

Thank you for submitting "Going For The Kid" to Tome and Space. Unfortunately, we have decided not to accept it for our publication.


We appreciate the time and effort taken to share it with us.


Sincerely,

The Tome and Space Editors

And a rejection for “After Making Landfall”, but for an older version:

Thank you for sending a submission for the upcoming issue of the Smoky Blue Literary and Arts Magazine. Although we feel your work has many positives, after much deliberation, we decided it was not a good fit for us at this time. 

We receive many incredible stories, poems, non-fiction, and images, and we are forced to select only a handful of pieces. Know that though your work will not be in this next issue, our staff welcomes your submissions and truly hopes to continue receiving material from you. Should you wish to send us another submission, please wait until the next submission period opens.

We do acceptand encouragesimultaneous submissions. You can find listings for where to send submissions at the following:

http://newpages.com/

https://www.chillsubs.com/lists

http://www.everywritersresource.com/literarymagazines/.

Http://www.duotrope.com is perhaps the best source but charges a fee. There is a free trial, however.

If you have any questions regarding your submission or any other publishing matter, please feel free to contact the editor via our website.

Thank you for your support of literary and art publications in general and especially of SBLAAM.

And completely off topic: Bay Area wildlife mystery leaves researchers 'somewhat horrified'.
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Sunday, July 26, 2026

Recuperating, Not Spry

 Healing but not doing much more.

I made it to group on Friday. My legs got wobbly. I took the bus there and back, as little walking as possible. I stayed put for the rest of the day. Did some reading, watched shows on Netflix. Right now I cannot recall what it was! Thusday Murder Club

Got a rejection. 

Thank you for sharing "Pieces About A Small Indiana Factory, 1976 - 1984" with A Public Space. We regret that we are unable to use this piece for the magazine, but appreciate the opportunity to consider it.


All our best,

A Public Space 

I keep having these intense moments of insomnia. Those I have used to work on my research project. 

CC called again on Friday. I spoke with KH, too. Joel C called with compliments for “Ahab in the Moonlight”. That is now published. I need to get a link here to it. 

Saturday, I went to Payless and the convenience store twice. A little more walking, a little more of my research project.

I started watching Orphan Black on Netflix. I like it. Oh, I started Bugonia and just could not take its deepness or weirdness. Looks good, though.

I decided against church. Not enough energy, pain is more a low-level discomfort. 

 One thing decided: a different working schedule. I need to get some books read.

Things read over the past few days that I want to share:

The Eyes of Athena and the Disenchanted World of The Odyssey (Reactor) 

The Fermi Paradox, Percolation, and Inbreeding  (Reactor) 

Zardoz: …What the F*ck Did I Just Watch?  (Reactor) 

You Must Remember This’s Karina Longworth on ‘The Bisexuals’ 

Exclusive: In a Ukrainian bomb shelter, Laura Loomer has some regrets (AP News)

How America’s newspapers lost their voice 

Pennsylvania roads are being coated in radioactive wastewater − here’s why 

From author to anime hero: the unlikely revival of a Japanese literary star | Fiction in translation (The Guardian)

No Longer Human comprises a series of notebooks by a formerly “handsome young man”, who declares his incompatibility with the human race. For him, the world is “a place of bottomless horror”; he concludes that “living itself is the source of sin”. The narrator of the title story of Schoolgirl takes a similar view: “the problem is that I’m corrupt. I’m a bad girl.”

The relentless pessimism in Dazai’s work risks seeming overwhelming or indulgent but, as Barton puts it, Dazai “leans into [the self-loathing] with a kind of exuberance”. Indeed, his appeal in part lies in this “unashamed emotional quality, but also tempered with enormous intelligence”.

Cool Machine by Colson Whitehead review – final part of the Harlem Trilogy is freewheeling fun | Fiction | (The Guardian) 

Whitehead initially envisioned the Harlem Trilogy as a jaunty entertainment, a break from the serious Pulitzer-winning business of The Underground Railroad and The Nickel Boys. Cool Machine specifically covers the New York of his youth, a scene he experienced first-hand, which only adds to the air of vivid, freewheeling fun. Whitehead maps the streets, labels the landmarks and dips in at intervals with handy background information. He takes a dark and dangerous corner of history and makes it feel illuminated, magnified, even borderline family-friendly.

A Sudden Flicker of Light by David Thomson review – a brilliantly eccentric history of the movies | Film books (The Guardian)

 Revisionist? Well, it certainly takes us to wintry and sombre ponderings on the movies’ (perennial) tendency to coarsen and to cheapen, to enforce cultural mob-rule. He cites King Vidor’s 1928 film The Crowd, starring James Murray, a former extra plucked from the ranks and groomed for glory but whose awful destiny was to descend into alcoholism and homelessness – back into the crowd. He emphasises movies’ amazing populist-democratic power and reach, their power embodied by the fact that, unlike in the theatre or concert hall, a film’s action could not be stopped or affected by the crowd in front of it. Like a theologian dragged by doubts to the foot of the cross, Thomson wonders if the movies will always lack literature’s way of allowing us to enlarge our imaginations, as opposed to forcing a submission to the screen.

The Rest Is History (Lapham’s Quarterly )

Who Cares? (Sheila Kennedy)

The American Prospect, among others, has reported on the crisis in what we call “Care work.”

As the report notes, immigrants from countries like Haiti, Mexico, the Dominican Republic, Uganda, Jamaica, the Philippines, and dozens of others make up the majority of people who serve the aging, frail, sick, disabled and dying. These immigrants “bathe their clients, change adult diapers, supervise medications, and provide companionship in relationships that are intimate as well as professional.” And they are the targets of Donald Trump’s hatred.

How civilisations fall, according to Gibbon (Engelsberg ideas)

5th Circuit ‘answers the call’ from Clarence Thomas on gun law

4 little-known Google Calendar tricks I use to plan my workweek - and save time (ZDNET)

The Problem With Middle-Class Socialism (The New Republic)

Secret Service Agent Put on Leave for Alleged Leaks About JD Vance (The New Republic)

Trump Prepares to Attack Eighth Country of His Second Term (The New Republic)

Trump Invents the Corporate Pardon (The New Republic)

What Do You Have to Hide? - by Jared Henderson

WNAP-FM | Listen Online - myTuner Radio

The Project Gutenberg eBook of The Compleat Angler, by Izaak Walton

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Thursday, July 23, 2026

Surgery and Recuperating

 Recuperating from surgery on Tuesday, so still a little rocky. My brain is not in the mood for extended exgesis. Take the following for what they are worth. 

Started this on Monday with: 

Submissions

Merion West: Agnes, The First Day of Feeling Free, After Making Landfall

The William Faulkner Literary Contest:  The First Day of Feeling Free

 


 7/20: A rejection for "Pieces About A Small Indiana Factory Town, 1976 - 1984"

Thank you for submitting your work to us. We regret that we are unable to publish it, but we appreciate your interest in Joyland Magazine, and wish you all the best with your writing. 

Joyland Magazine

7/21: surgery - sister came and brought me back from the hospital. Oh, my sides hurt. CC came after my sister left. I had fixed pork shoulder ala CC for her. It turned out well. Insomnia is the big problem.  Thankful for Netflix to keep my attention. I added some to my research project - the insomnia was that sharp.

Rejections for "After Making Landfall" 

7/22:

Thank you for submitting “After Making Landfall” to our editorial team. Although we found value in reading your work, we have decided not to publish it. 

May the publishing gods find this piece its perfect home. 

Pinch

Subscribe at www.pinchjournal.com

The main in the sides - two holes whose purpose is not understood by me. CC called to check on me. I sleep, wake, watch Netflix, sleep, and repeat. 
  
A headache and I realize it is not a good idea to go cold turkey from caffeine while recuperating. I order from Domino's.
 

7/23

Thank you again for your interest in our journal and for taking the time to send us your writing. 

Though we have decided to pass on this story, we want you to know that it received several positive reviews. 

We hope this is taken as encouragement and that TGLR will remain on your radar when you seek publication opportunities in the future. 

Best wishes for a prosperous summer.

Sincerely,

Shyla, Lea, Amy, Toni, & The Good Life Review Short Fiction Team

I walked my furtherest today - to the street where I catch the bus down to the convenience store for more caffeine. I rode the bus back. It was as much as I could do. More sleep, more Netflix.

I thought I could do The Odyssey. No way.

This is taking a chunk of energy and I want to be very, very lazy.


 

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Friday, July 17, 2026

Notes For A Friday: Ethics, Mary Beard, Odysseus, Rejections. Morons In Government

I did group, almost falling asleep at the end. I came home and did a nap. Something like 4 hours. When I woke, I was a little disoriented about time and date. The sky outside was as dull and gray as it had been this morning.

 What I thought would be a small diversion became this post. It has been at least 4 hours since I started. Now, I have run through my emails and have nothing more to say about the outside world. Or life. Or whatever you find here.

I regret to notify you that it has been decided that "Agnes" will not be published in Flying Island Journal at this time. On behalf of the journal's editorial team, I wish you the best of luck with your writing endeavors.

Sincerely,

Hiromi Yoshida

--
Hiromi Yoshida, MA, MLS, SpLIS
Poetry Editor

And:

Thank you for allowing us to consider "Pieces About A Small Indiana Factory Town, 1976 -1984" for Midwest Review. We are sorry to report it was not selected for publication. 

We are honored you thought of us as a home for your work. 

Sincerely,

The Editors, Midwest Review

‘The Odyssey’ Review - by Sonny Bunch ( The Bulwark )

The Odyssey is more fractious, more fissured. It is, first, two hours of abuse and defeats and arguments and disappointments and the occasional bit of grubby cleverness, followed by an hour of glorious vengeance. (So glorious, in fact, that people in my audience were clapping at the mere plucking of a bow and the beautiful twang of its reverberations.) Odysseus, like Oppenheimer, is a man who changed the world, albeit one who had some regrets after the fact: Change is momentous, change is dangerous. When you shatter norms and fail to respect what has come before, you risk calamitous darkness. 

Nukes, Data Centers, A VAT in our future: Race and Gender-Based Contract Practice Ends | Indiana Week in Review | July 17, 2026.

 

Donald Trump claims election insecurity; Markwayne Mullin warns states to cooperate - and so we all join the madness?

Trump's remarks on election security: What to know is that there is no meat on this bone.

John Ware: troubling light on The Troubles (The Article)

Neither Confirm Nor Deny is a book written by a journalist who, with his colleague Geoff Seed, took personal risks and now presents a rigorously researched and balanced account of what happened in Northern Ireland.  It is not a book that makes you want to go into the garden and hoist a Union Jack — nor, come to that, an Irish Tricolour.   Ware explains – in almost too much detail — how undercover security work during serious conflict can, unimpeded by the law, take an ethical nose-dive.  It is to be hoped that this book will make such events, and the moral judgements behind them, much less likely in the future. 

‘At times I felt I’d bitten off more than I could chew’: Christopher Nolan on sweeping the Oscars, making The Odyssey – and getting a puppy (The Guardian).

Bitten by Willie Nile - again!


 The Odyssey review – Nolan goes god-tier with breathtaking epic of men, monsters and moral metamorphosis (The Guardian)

The result is a gigantic, shimmering mirage, a mysterious three-hour vision of crazy episodes that does not yield up wisdom or contentment, but only a grim resolution to continue with the fight, to make sense of ruined lives, to re-enter the scorched battlefield of loss. 

 I've seen only one John Waters movie, Hairspray, but maybe I should have seen more. He was just not on my or my friends' radar. Still, I knew who he was. ‘The minute I had success, I stopped taking drugs’: John Waters on 60 years of screen carnage (The Guardian) is a good reminder.

Nor should the comedy in either film disguise their underlying seriousness. Hairspray may treat the Civil Rights era with a deft touch but its indignation is palpable. Both movies celebrate resistance in the face of racism, fascism and tyranny. What do these movies have to say about the US in 2026? “I think they say that anger can be good, but the way you change things is through humour.” Is there anything he wouldn’t joke about? “I’m certainly not going to go into Israel and that whole situation. It’d be a lose-lose for me to even try. But I’ve always walked the edge of what you can’t make fun of. In all my movies, I make fun of things I like, not things I hate. That’s why I’ve been getting away with this for 60 years.” 

The Day She Returns review – another Hong Sang-soo round of slow, reflective boozing really hits the spot  (The Guardian) has some interesting writing advice:

...The film withholds overt meaning like a short story … and is quietly engrossing.

Our Hero, Balthazar review – a darkly comic satire of incel culture and gun violence | Movies (The Guardian) hits on a subject I have no understanding of and has me pondering this paragraph:

Deathdealer_16 turns out to be Solomon (Asa Butterfield), a Texan living in a trailer with his grandma, none too pleased to see Balthazar. But the two strike up a friendship, with Balthazar besotted by the shooting range, and Solomon eager to prove to the New Yorker there’s more to him than incel futility. Hitting a homoerotic pitch (“You wait to see the rest of what I’m packing,” says Solomon after revealing his glove box pistol), the film is at its strongest outlining this queasy interdependence. It’s a buddy-movie travesty of the mutual incomprehension and fascination between liberal and red-state America, suggesting that resignation to and glorification of gun violence aren’t so far apart. 

It seems to me we are now a nation of the infantilized. I thought that was the goal of prison. Have the powers that be learned their lessons from the pirson-industrial complex and applied them to the nation at large? 

Why Is Digital Freedom Making Us Exhausted and Sad? (The New Atlantis)

For more than two decades, Han has shaped a form of writing equal to his concerns: brief, concentrated books that think in movements rather than arguments. Their brevity feels deliberate, as if composed for the attention economy yet guided by another sense of time. Winding through subjects as varied as Zen, smartphones, and gardening, they often return to the same question: What has become of freedom in the digital age? 

***

Burnout, depression, anxiety: these are the maladies of our time. No one denies their spread, but their wider significance is a matter of debate. For Han, they are not signs that the new order is breaking down. They are signs of its success. We are free — and the result is not liberation but exhaustion. 

***

What Han would later diagnose as burnout is not just a condition of exhaustion; it is a condition of perception. Moods are how we feel the world, even before we think about it. They are less like emotions than the background conditions of our experience, like slow-moving weather patterns that give times and places their character. They cannot be examined like objects from the outside — we are always already within them — but they can be named and described. In Heidegger, Han found a way to notice them. And it made him weather-wise, alert to the world at a time when the weather was changing.

The Berlin Wall came down during Han’s years as a student, marking the end of the Cold War. For most in the West, the mood was jubilant. Liberal democracy and the free market had triumphed, and the specter of totalitarianism seemed to recede into history. The future, many assumed, belonged to societies that were more market-driven — and therefore more free. Han, however, had seen enough to question that story of progress. Growing up under the extreme pressures of Korean capitalism, he knew that domination could take many forms. South Korea had not followed the Big Brother model of the North, yet its people labored with an intensity that suggested another kind of domination — one rooted not in surveillance or prohibition but in competition, achievement, and the inner compulsion to perform.

If the twentieth century had feared domination by the state, the twenty-first would reveal another possibility: domination by freedom.

***

By now, we understand the basic mechanics of the profit model. While complex in one sense, its logic is painfully simple: keep users using; sell their attention to advertisers. In the early 2010s, news about predictive algorithms came as a shock. It seemed uncanny that an advertising algorithm could detect a woman’s pregnancy before anyone else knew about it. But the headlines have long since moved on. What once seemed unsettling has faded into the din of daily life, normalized under the regime Shoshana Zuboff calls “surveillance capitalism.”

When Zuboff began writing about it in 2015, the public imagination often returned to a familiar nightmare: Orwell’s Big Brother, the all-seeing avatar of the surveillance state. Zuboff argued that the comparison was misleading. Today’s most powerful surveillance systems are not instruments of the state, nor do they rule by repression. They are transnational, driven by a market logic that shapes behavior without appearing to command it — what she called “Big Other,” a diffuse computational order that monitors and modifies human action at scale.

***

Han’s new book, The Tonality of Thought, approaches freedom in a different mood. Consisting of three public lectures, the book returns to themes that have run through his work for more than two decades. Han is not searching for a stronger self, but for a way beyond the self — another way of inhabiting the world, combining German Romantic ideals with Eastern thought. “If I may compare my thinking with a fruit,” he writes, “then its skin and flesh are deeply romantic. The seed, in contrast, is Far Eastern.”

***

In this clearing, Han’s thinking lets Western concepts take root differently. Among them is eros — a term that, in Greek thought, signifies much more than desire in the everyday sense. It is the soul’s movement beyond itself, toward a beauty that transcends possession. Eros reorients the reflex of self-enclosure, the habit of drawing the world inward and rendering it usable. The soul, instead of grasping, is laid hold of.

Against a Zen backdrop, this can seem difficult to place: the Western longing for beauty seems to unsettle the stillness of Buddhist detachment. Han’s books, inhabiting that tension, do not systematically resolve it. Instead, they bear its fruit in a mood that attunes us to the world. What matters for Han is that both movements, in their different ways, loosen the grip of a possessive inwardness. The question is no longer how to possess the self, but how to move beyond it.

***

Han begins from a different premise. Freedom in the digital age is found not in resisting the Other, but where the Other resists us. It is a question of ends: does freedom secure the ego or free us from its grip? One posture is habitually on guard, the other habitually open. For Zuboff, who draws again from Sartre, the danger is plain: “Hell is other people.” For Han, the more radical danger is an “inferno of the same” in which the Other disappears.

A life organized entirely around the self — its projects, its performance, its wants — leaves no room for the kind of relations in which freedom can actually take shape. The word freedom, Han likes to note, shares a root with friend. One is not free alone. Freedom arises from vulnerability. It begins not in mastery but in exposure, where one is no longer fully one’s own.

Which, since John Locke is integral to my research project, makes me think of Locke's idea that true freedom reaches its height in civil society - with other people, ordered liberty.

 AI Is Changing What We Can Do. Who We Become Is Still Our Choice. | The Humanist Review of AI

Let’s step back and ask one of the central questions of ethics: “What kind of people should we want to be?” Ethics, in the classical sense, is about how to live well. And that involves more than producing the right outward acts. It involves becoming the sort of person who can recognize what is right, choose it for the right reasons and respond to the world with the appropriate thoughts and feelings.

How, then, could an automated oracle help? It cannot tell you what to feel, because feeling is not something you can summon by obedience. But neither can it settle the matter by telling you what to do. Reasons matter, and to be a morally responsible agent you must reason for yourself. That thought is central to the ethical tradition that reaches back through the European Enlightenment and to Immanuel Kant. Central to Kant’s thought was the ideal of people fully in charge of their own lives, reasoning toward the right decisions through a kind of self-government he called autonomy. People who simply do what they are told, even when what they are told to do is right, are not living autonomous lives. Nor is this a uniquely European idea. Confucius taught the virtue of yi, which involves recognizing what is right and acting in harmony with moral principle. Buddhism offers similar lessons. What matters is not just what you do but the intention with which you do it.

Accordingly, philosophers have rightly been suspicious of “moral deference”, in which someone decides what to do based on what another person or institution declares to be right. Moral guides, your priest, your rabbi, your imam, your guru, even a humble philosopher, can help you think things through. They can draw your attention to features of a situation you may have overlooked. But if they are doing their job, they will not simply listen to your quandary and pronounce a course of action without giving reasons. They will want you to do what is right because you understand why it is right, because only acts that arise from your own deliberation are fully yours. If they espouse values you do not recognize, your compliance does not turn their judgment into your own.

I should add that I am not assuming values are matters of mere belief rather than knowledge, or endorsing relativism, the notion that different normative traditions are entitled to their different answers. You can reject moral deference and affirm autonomy while still believing that there is such a thing as moral truth, and even moral expertise. Perhaps many moral questions, perhaps even all of them, have a universally correct answer. It remains the case that, even if LLMs give excellent answers to moral questions, you still should not defer to their conclusions. You should try to understand the reasons they offer, because it remains important that people act on the basis of their own, admittedly imperfect, understanding. That, in my view, is itself one of the universal moral truths.

***

Once we recognize that people, media outlets or spiritual guides may try to shape us in these ways, we can take that into account. We can ask what interests they have in influencing us. We can consult a range of sources with different interests. I know the pastor has an interest in getting me to make a larger offering. I know that Fox News tilts right and The Guardian inclines left. So, I can weigh what they say accordingly.

But the most effective forms of manipulation are invisible. And one problem with applying this strategy to AI is that we often lack any clear picture of the interests, if any, that guide it. That is one place where public education would help. One strength of LLMs, however, is that, unlike the pastor, they are often willing to tell you what they “know” about the forces that shaped them. And researchers have explored the political bent of the major models. There is a lot of evidence that existing LLMs tend to lean somewhat left of political center. It would be unfounded conspiracy-mongering to suggest that some secret center-left cabal is controlling things behind the scenes. Once you consider the shape of politics in the North Atlantic world, where the main LLMs are based, more ordinary explanations present themselves.

***

Political outlooks also differ in ways that reflect evaluative disposition rather than straightforward factual belief. Moral psychologists Graham and Haidt, for example, argue that concern about fairness tends to diminish, and concern about group loyalty to increase, as one moves rightward.[8] If so, users should know that fine-tuning may favor equality over national loyalty, reflecting the outlook of the cosmopolitan, highly educated people who help shape these systems. Autonomy is strengthened when people can judge advice in light of the perspective that informs it.

***

But notice that an AI guide that did agree to simply choose options would not be much use if you could neither identify the relevant features of your situation nor see what your options were. An LLM cannot tell you anything useful unless you can inform it about your situation. And grasping what matters in your situation is a capacity you can acquire only through practice. There is always something else you might consider. You have to learn what is relevant and how to respond to it.

I would add it is not enough to learn, but to remember and to have faith in what you know in the face of a world that does not care. I knew much. Depression became nihilism as my faith in ethics, in people, in what I was doing with my life dissipated.

Oops, I stopped reading too soon.

Aristotle thought that we develop this capacity through habituation, by practice. For him, the virtues were not rules or isolated good acts but settled dispositions of character, ways of seeing, feeling and responding that are formed over time until they become, in a good sense, second nature. Confucius, in a different key, stressed the role of ritual and custom in shaping good habits of response. Our sensibilities, our capacities for detecting what matters in the human world, do not come ready-made. That thought, largely sidelined for a time in modern moral philosophy, was revived in the twentieth century by thinkers such as Elizabeth Anscombe and Philippa Foot, who urged that ethics return its attention to character, judgment and human flourishing.

One role of fiction, in fables and parables—in novels and short stories, in film, video and even painting—is to let us imagine complex moral situations and so develop habits of judgment and feeling. Conversational exchanges with an LLM, in which scenarios are built out collaboratively, could certainly engage the imagination in ways that help shape character and sensibility. Still, it is likely to remain true that we develop these capacities mostly by using them in the situations we face, alone and with others. Time online draws us away from those encounters.

I once told a friend of mine that the hardest ethical questions were between two equally bad choices. It seems now that may not have been taken as much comfort. I think that was the last time I saw Paula.

I am not a Saul Bellow fan. He put me off my writing for decades. I felt it was a milieu that had no reality - factual or emotional - for me. Yet, I keep coming back to him. Wondering was I wrong about him. Did I close my mind? I wish I had read Philip Roth first rather. Bellow was older - closer to Mailer, whose fictions leave me cold. But I admire Nelson Algren - also of Chicago and close to Bellow's age. And Vonnegut, Heller, Gore Vidal were of the same generation. There is someone else from the Fifties dancing in the shadows of my mind who leaves me as disinterested in his topics as does Bellow. I cannot get a name to form. Cheever's people have all the sexual tics and social anxieties. Yet, I understand their problems better. Augie March I found a novel worth reading, but Humboldt's Gift preceded it by decades. 

And today I received a link to ‘Ravelstein’ Revisited - by Jonathan Marks (The Bulwark). This fit into the previous entries in this post. It might have also sparked a bit of reflection on my Bellow bias. A recession of sorts. It is a consideration of a Bellow novel for which I have only read disdain, to be polite.

 I DON’T THINK THAT CHICK’S EXPOSURE, sometimes intentional, sometimes unintentional, of his own defects justify his shameless exposure of a friend. To be sure, Ravelstein and Chick both merit praise from Bellow’s perspective. Bellow, throughout his career, took a special interest in ineffectual intellectuals, most notably Moses Herzog in Bellow’s novel Herzog, whose book-learning and talent for observation does little to make him wise. Herzog is, however, raised above his fellow moderns, who are less foolish than he is in some ways, by his high ambition, rare in a world ruled by economics, natural science, and the quest for the comforts those pursuits provide. Herzog wants to “live out marvelous qualities vaguely comprehended.” That desire, pursued even to the brink of madness, matters more than the failure of Herzog to gain more than the mystical conclusion that “only the incomprehensible gives any light.”

Chick and Ravelstein, who attempt but fail to understand a world Chick deems “mysterious,” are honorable in the same way Herzog is, a way that is compatible with great foolishness. Perhaps Ravelstein, who understood the quest for human completeness to be nearly always futile, wouldn’t mind being understood as a noble failure. But I doubt that even Chick’s Ravelstein would consider the abandonment of his lifelong convictions and preferences in the face of death to be the kind of failure that is noble.

Yeah, pretty sure I will only read Ravelstein if I am stuck with nothing else to do.

Effing brilliant:  Star Shrapnel by Ata Zargarof 

Book Review: Talking Classics by Mary Beard  

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