Thursday, April 23, 2026

4/20-4/21/2026: Writing, Reading, A PO Visit

 Another night when I woke up with sharp pain, leaving me wide awake. The same thing happened two days ago. Tuesday was bad, never quite losing the burning, needle pricking pain.

No church that morning, none yesterday, and probably none today. If I can stay awake to 6:30, then it is off to liturgy. 

Then I have a follow-up visit to the eye doctor. Glaucoma may be in my future.

 It helps when I have responsibilities with other people. I made it to Liturgy on Sunday because someone was giving me a ride. I worked on “No Ordinary Word” in fits and starts, getting around spells of lethargy. 

Monday? More work on “No Ordinary Word", then I got it finished and got off to sleep late. When else did I do? Not that I can recall.

Tuesday, I had a lunch meeting. Like I said, the pain had flared up. Then the PO showed up with the old one. The one was doing his glum, chunk routine. The new guy seems friendly but also nervous, as if he is lost and seeking directions. Perhaps, they came as a duo as some sort of training exercise. What bothered me most was the inane questions might make me miss my bus. I had already missed two.

The new guy seems to have fastened on my Friday group sessions with a passion. He asked this time and last about treatment. I have already told him what the guy running the sessions told all of us - it is not therapy. Also, I omitted that what is going on is a repetition of the same program. I am now going into the second iteration of the lectures. (And I still need to get caught up with my notes from those sessions).

He did ask what I was writing, so I assume he may be the first to read this blog. I sent him to the stories on this blog. (Please check them out yourself; they are on the left hand side of your screen). 

 Long after he left, it came to me that he kept using the word “treatment” I should have asked treatment for what. Next time.

 Leaves are coming out; it is Spring.

Tuesday morning, Muncie downtown in the Spring sunshine from the MITS station. 




I stopped off at White Rabbit Bookstore to do some shopping. The bookstore does not take plastic, so I was shopping. Afterward, I went to wait for the #2 bus going west. The following is the scenery at Martin and University Streets.





I had lunch at The Dumpling House; instead of going to get groceries at Payless, I caught the bus to the second bookstore on my itinerary. Only The Book Center was not at its location in the White River Plaza. Although the pain was still present, I decided to walk back to Tillotson. This gave me a chance to look at the river in the West Side Park.




But for the building across the river (and the park to the north), you might think civilization was not close at hand.

Years ago I caught some bass further upriver, but I have been wondering since my return if there is any worthwhile fishing to be had. I have never seen any carp, little in the way of minnows, but I have seen a few large sculpins and blue herons hunting. Yesterday, I noticed some holes that might hold fish and the same lack of life.
 
I got some items at Payless, then caught the bus back to The White Rabbit, where I spent almost $40 and had to leave off two books. I was going to put in a list of books bought, but I have shelved them and am too lazy to do so; besides, this post is getting too long.
 
Then it was back here. I watched a silly movie on Netflix, “War Machine”. 

 I worked on a few posts.

Wednesday, I moved slowly into consciousness. I squeezed out some blog posts, worked my way through the email.

The view as I waited for the bus on Riverside to go to the writers group:












KH and I talked on the phone as I rode the bus. He has not had time to look at “No Ordinary Word”, but he has a real life.

The place where the writers group meets; I helped plant these locust trees in the Summer of 1982.


I read two more sections from “Scenes from a Small Indiana Factory Town”, and they were well-received. Somewhat shocked and a little embarrassed by how effusive everyone was. I am beginning to think the thing only works with Hoosiers.

Afterward, I walked back down to White Owl:  


I bought the two books for which I lacked cash on Tuesday, plus a copy of Midnight's Children.
 
Back here, what a good day descended into bad. Although I kept the email trimmed down and started this post, the pain, and discomfort heated up and that is why I am finishing this post at 4:29 AM.
 
I did get a text from J. She has given me the best advice for my troubles - ice packs - and I let her read “Scenes”. Her text was a bout my story and it knocked me for a loop. She was effusive in her liking it. Between the group and her, it was a good day.

Now, to share some recent reading.

Learning something new about Mounds State Park in Anderson: This Eerie Abandoned Village In Indiana Is Hiding In A State Park 

Indianapolis Monthly has a Hoosierist - which I am still checking out. 

I do not like linking to things behind a paywall, as is Adam Gropnik's St. Paul Remade Human History. How Did He Do It? (The New Yorker), but I found it rather engrossing.

This revisionist view of Paul has reached a climax with Nina E. Livesey’s recent book, “The Letters of Paul in Their Roman Literary Context” (Cambridge). Despite its dry title, the book argues, astonishingly, that Paul’s epistles, indeed “Paul” himself, are inventions of the second century—that they actually were written largely by the crucial yet easily overlooked figure of the heretical editor Marcion and then backdated. Livesey, a professor emerita at the University of Oklahoma, is recognized as a significant Pauline scholar, and her book is closely argued, formidably annotated, and beautifully provocative. In her view, no first-century evidence exists for Paul, just as little exists for Jesus. More important, Paul’s preoccupations with the politics of circumcision, and with Jewish ritual generally, seem to fit badly within a first-century, pre-Jewish War context. Back then, with the Temple still intact, those things were not controversial. The preoccupations make far better sense in a second-century context, when a wave of anti-Jewish suspicion filled the Empire, particularly after the Bar Kokhba revolt of 132-35 C.E., the last great Jewish uprising against Rome, which ended in catastrophic defeat, mass death, and the refounding of Jerusalem as a pagan city. No one cared about condemning circumcision in 50 C.E.; everyone did a century later.

Letters were, in any case, a genre more than an epistolary act: most collections of antique letters, Livesey points out, were unmailed and literary, written to enlarge a theme, not persuade a recipient. The proliferation of letters in the New Testament is also typical of second-century literary activity; letters written as rhetorical models, using the epistolary form as an intimate vehicle for argument, are everywhere in the later period. So Livesey thinks that Paul’s letters make much better sense as a literary performance, too, if keyed to second-century Greek concerns and practices. This dramatic redating also contextualizes those odd interpolations—the Jew-hating sentences make more sense if written after the Bar Kokhba revolt—and, indeed, the broader question of how, exactly, there could have been so many practicing churches for Paul to correspond and commune with so soon after the establishment of the Jesus cult.

All days of fulfillment in religious history are, in any case, Great Disappointments, since the thing expected—Nirvana, the Apocalypse, the New Jerusalem—never does happen. Sooner or later, we trust the disappointment more than the dream. The original “Jewish” Church, which flares out like a glorious firework in the last, apocalyptic book of the Bible, Revelation, faded away in time, and Paul’s universal Church grew and eventually triumphed.

***

An oddity of modern life is that, just as humanists have made us newly alert to the irreducible power of stories, people of faith, who already possess the advantage of strong stories, reach for spurious “science” to underwrite them. Hence the appeals to a “fine-tuned universe,” as if divine order were proved by the fact that the cosmos had to meet an exquisitely narrow set of conditions to yield conscious human beings. In truth, this is the same argument, beloved of parents, that the whole point of the universe was to produce one particular child. Consider the chain of contingencies that had to align, and the child’s existence can feel like a miracle. In a sense, it is. Yet the pattern is blessed only in retrospect. We were always going to find ourselves in a universe compatible with our existence, because there is no other place in which we could be aware that we existed. And, if we are not cold or conscienceless, the universe that contains us cannot be wholly cold or conscienceless, either. It includes warmth because it includes us. Our values are human-made, but that does not make them unreal.

Was Paul’s effect on history, incalculably large, good or bad on the whole? Edward Gibbon argued that Paul carried a “Jewish” intolerance into a pagan world that, for all its cruelties, was broadly pluralistic in matters of worship. Yet Paul also offered a universalism so urgently moving that it remains powerful today. That may be as close as judgment gets for a figure of his scale. We turn to philosophers and essayists, from Socrates to Richard Rorty, for inquiry and self-doubt. We turn to apostles and prophets, from Paul to Dr. Martin Luther King, Jr., for the broader conviction that faith really can move mountains, and then for the still bolder thought that even moving mountains is not enough if love is absent. “All or Nothing at All,” Sinatra’s greatest epistle, revised across his life as the purposes of his music changed, might have served as a theme for that Capra bio-pic. It is bad advice for a lover. But it is good advice for a believer, since such intensity of commitment is, in the old-fashioned sense, awesome. St. Paul, whenever exactly he lived or whatever precisely he said, was nothing if not all in. 

I do not remember subscribing to the Substack Literary Fancy, but that did not keep me from reading 5 “Boring” Classics That Are Actually Unhinged (Once You Know What's Really Happening). I never found any of them boring (okay, Middlemarch was more like Long March, but I do not recall being bored.), but your mileage may vary. See, I never had to read any of them in school.

There is also Part 2: 8 More “Boring” Classics That Are Actually Unhinged to which I have the same comments (except I had to read Ethan Frome on college - but I liked it) and Tess of the d’Urbervilles (which left me blah) and Jude the Obscure, which I have not read. 

I also took a look at The 40 Famous Classics You're Allowed to Skip (And Why Everyone Secretly Agrees). Yeah, I agree with some and disagree with a few more. I am literally scared of Finnegan's Wake and The Faerie Queen. Surprised by how many I have read.

A piece about one of the great places to eat in Muncie: The Downtown Farmstand: Overcoming the 2019 Pandemic (Ball State Daily).

 Donald Trump continues to prove himself an incompetent blowhard and coward. 

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Wednesday, April 22, 2026

My No Kings Day Post

 Yes, this is wekks old. Sorry. First, I had health issues that kept me pretty lethargic for weeks. Then, I got to work on my fiction, and combined with the lethargy, I was not writing on here. Lastly, I had forgotten how to get photos from my camera to the computer and then up here.

I kept active this post from Sheila Kennedy: Why Yesterday MatteredRead her 7 reasons to protest. She wrote:

Yesterday was the third NO KINGS protest, and at the Indiana Statehouse, turnout was huge. I don’t know how attendance will be calculated– this one went from noon to five, and people were constantly coming and going. While we were there, the crowd was huge and the signs were great (albeit tending toward the profane…). As we walked back to our apartment around 2:00 (we’re old, and we were with my oldest son who had major surgery ten days ago but insisted on going) we passed dozens of people with signs who were just heading to the protest.

The size of the crowd was especially gratifying since–unlike previous No Kings events–there were several others in and around Indianapolis that I’d assumed would peel off suburban folks who didn’t want to try to park downtown. Even more amazing, there were sixty protests in Indiana, several in very small and traditionally Red communities.

 Muncie also had a turnout larger than the first two protests. The fellow running my group sessions poo-poohed the whole thing. He said something to the effect that the real kings were the legislators who had served for 40 years. This is a college-educated man. I do not think he understands the difference between legislative and executive powers. At least, I hope that is so. It would be worse if he supports the usurpation of power by the executive. However, he did think criticism of the Supreme Court conferring immunity on the President was only an emotional response.

What I find important about No Kings is it being effectively leaderless. It is essentially democratic.

What I liked best about this latest protest was seeing more younger people. Frankly, people my age, if not older, have predominated.

 My photos:



















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Tuesday, April 21, 2026

The West Has An Identity Crisis?

 Last night I listened to a podcast from Englesberg Ideas,  The Roots of the West's identity crisis. The podcast is described as :

Marie Kawthar Daouda, author of Not Your Victim: How our Obsession with Race Entraps and Divides Us, speaks to EI’s Alastair Benn about the historical illiteracy of attempts to ‘decolonise’ Western culture. Instead, she argues that the moral complexities of history must be accepted in order to develop a genuine appreciation of the Western tradition.

When was it we started railing against Dead White Men in the Literary Canon? Thirty years ago, even more? As a non-dead white man, I ought to have been more annoyed. Instead, I went looking for those who may have been excluded. I found Joyce Carol Oates, Toni Morrison, Willa Cather, Junot Diaz, and Ralph Ellison; I had already been exposed to Richard Wright and Edith Wharton. Then there were foreign writers I knew of but did not read until I had passed my fiftieth birthday: Gabriel Garcia Marquez, Alasdair Gray, and Milan Kundera (to give an abbreviated list). I would add these to the canon for these reasons: they could write, and their works made us take a different view of what writing could do.

But history is complex on this issue and decolonization. Writers cannot be influential if they are not read, and to be read requires publication. Obscure writers may have qualities that we should recognize, but they have created the framework for literature upon which we labor. At best, these non-canonical writers can give us the means to diverge from the canon and to criticize the canon.

Colonization was bad, but its effects are complex. I write that with cinnamon in my spice rack and tomatoes on my shelf. It is also a lesson in the narrow-mindedness of human beings - how ostensibly Christian nations broke the Golden Rule searching for profits.

sch 4/20 

 

Monday, April 20, 2026

4/20 to 4/21/2026

 I am feeling better. But still running behind on time. It doesn't help that yesterday was bits and pieces after church, and I spent my time revising “No Ordinary Word”.

Which is how I have spent most of today!

I do not think it is done. I got it down to under 3500 words (3485), but I am thinking there must be more that can be cut to get it down to 3000. 

Maybe I will get out of the words with my pain issues. 

I went up to Walmart for some things needed here; I cleaned up a little when I got back. Which meant I missed Vespers, which drags on me.

I set up some posts for later in the week. 

That has been my day.

I still need to get caught up with my “Unsupervised Release” notes. It will be long. I am procrastinating.

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Friday, April 17, 2026

MIA: Part One- Politics of Being A Loser and a Jerk

 Health issues have kept me posting of late, a lethargy that kept me from catching up with myself. It has already put me behind schedule today. Therefore, this will be short.

Sometimes I find The New Republic tiresome in its persistent urgency. Not that I disagree with them, but they overwhelm me. 

That said, Trump Has Become What He Most Despises: A Loser is a piece that caught me with its thesis that fascism needs losers. It made sense by the time I finished the essay. Then I decided to put it out here, hoping whoever is reading this blog will read the essay in full.

 A loser is often not someone who is actually left behind, nor is it someone who simply failed at something. Failure is a part of life; it can even be the first step on the path to success. Instead, a loser is one who thinks in terms of winners and losers at all—and who believes that they have not received the status and rewards to which they feel entitled. They always seem slighted by the world at large, which has cheated and denied them things that they think belong to them by virtue of their supposed innate superiority.

***

Losers do not actually care about the reality of winning and losing. Instead they care about the perception of success and failure. Trump, who is hardly the wealthiest New York real estate mogul nor the most successful, always insisted that he was the biggest and the best. “Show me someone without an ego, and I’ll show you a loser,” Trump once wrote in a 2004 book. To that end, he has covered the White House in tacky gold ornaments and plans to build a giant triumphal arch in Arlington, Virginia, despite having won no wars (and having lost at least one of them).

Most importantly, losers internalize their own self-perception and seek to reinforce it in the world. They are drawn to hierarchy, and are therefore hostile to America’s fundamentally egalitarian ethos. A stratified society gives them a clearer sense of their inferiors, which is usually bound together with their perceptions of race, sex, genetics, or some other apparently inborn trait. Racism is the most familiar redoubt for the loser, since it provides what they think as highly visible proof of their own supposed superiority.

Which makes me think of all this as wholly anti-American. I was raised to think competence and achievements prove character, and that character is what creates superiority. True superiority knows it comes from work, and the superior person knows anyone else can be just as good as them. No greatness without humility.

I have never been comfortable with the whininess of American conservatives. They cannot persuade us of their views, so now they want to demean the American people.

The essential American myth is found in The Great Stone Face

I have always thought of Trump as a man who defecates on his doorstep and expects someone else to clean up the mess. As President, he is defecating on us. The TNR essay does not undermine my opinion:

The goal of Trumpism, it could be said, is to create losers of us all. The political and economic project’s goal is not to materially improve its adherents’ lives. Instead, it is to create a sense of social order for some people that offers an aesthetic sense of improvement, even as one’s standard of living declines in real terms. These illusory gains can only go so far. Or as one frustrated Trump voter told reporters during Trump’s first-term trade war with China in 2019, “He’s not hurting the people he needs to be hurting.”

Chuck Todd points out how this defecating on us is now working on the world stage, although Mr. Todd frames it as a matter of making us look like jerks.

 


 It is up to the American people to lead themselves out of this mess. 

Now, I need to get on with my life. More later, as soon as I can.

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Friday, April 10, 2026

Thinking About Punk Rock

 I remain a fan of The Clash. That band I came to through its first album's American edition in 1978. The Ramones came later. The Sex Pistols were a rumor that did not touch me until years and years after they imploded. What they gave me was a vision of rock that had an energy unlike what was on the radio in 1978, and that defiance of a rotten society fueled that energy.

Reading Pitchfork's review of Generation X, a band I did know of back then and have heard maybe one song, caught my attention with the following:

But in their search for some sort of coherent manifesto or righteous ideology in first-wave British punk, these critics missed the point. John Lydon only called himself an “anarchist” because it (sort of) rhymed with “Antichrist,” and the Damned were striking the same anti-everything pose as Idol on 1977’s “Politics”: “No rules, no laws, no regulations/No fascist friends, no race relations/I just want to run around/I don’t want to settle down.” Punk was an explosive reaction to peace-and-love hippiedom and the bloated rock excess that dominated the mainstream, but that doesn’t mean that it was inventing something new from out of the ether. Year Zero was a lie. Instead, punk was prelapsarian: a return to rock’n’roll’s roots, its immediate impulses, its youthful thrills. Sex Pistols and the Clash formed because they saw the Ramones at Dingwall’s and figured they could do that too; London punk coalesced around kids seeing the Pistols at the 100 Club and thinking the same. “Whenever rock and roll starts getting carried away or diluted, something always yanks it back to where it started. That’s what punk was all about,” Idol told Robin Katz in a 1978 Daily Star interview.

 We need more yanking.

We should not think punk only takes loud guitars. It takes loud emotions.


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Thursday, April 9, 2026

Muncie Public Art

 No commentary here, just news.

Art for the People: Muncie Celebrates Eight Public Artworks 

The Muncie Arts & Culture Council invites the community to celebrate eight extraordinary public artworks with six celebrations during the Art for the People: Public Art Celebration Weekend on April 24 - 25, 2026. This historic milestone showcases place-based, forward-thinking installations that reflect who Muncie is today and who we aspire to be tomorrow. 

Made possible through a $500,000 American Rescue Plan Act investment, these artworks represent a significant shift in Muncie's approach to public art from traditional commemorative works to community-driven installations shaped by neighborhood voices. Four new artworks and two longer-standing murals will be celebrated with neighborhood events, while two previously installed works invite exploration throughout the weekend. 

Long ago, I suggested that Anderson get involved in public art to attract visitors and to build the community. It seems Muncie worked up the same idea. I have seen some of the works; it does perk up the city.

sch 4/7