I love lists, always have. Who doesn't? The Guardian has published its 100 Best Novels. Vanity makes me want to say I have read most of them. Whatever improvement that has made in my character or my talents as a writer is unclear to me.
Wishing to make full disclosure (and it may disclose the holes remaining in my education) here is what I have not read: #99, #96, #94, #93, #91, #90, #87, #85, #80 - #77, #74, #72-70, #67, #62, #61, #58, #54-52, #50, #49, #46-#43, #40, #31, #29, #23, #19, and #14.
Perhaps this will further puncture my pretensions, but I have not even heard of #49, #61, #62, #74, #87, #91, #94, and #99.
And what is there to argue about? No Milan Kundera, no Mario Vargas Llosa, no Gunter Grass, no Martin Amis, no Camus?
Go for it.
sch 5/18
And a reading list from Cristin White: Ranking All 70 Books I Read for My MFA. Having only read Dubliners, The Portrait of a Lady, Emma, The Heart is a Lonely Hunter, Washington Square, My Brilliant Friend, and The Bluest Eye. Her capsule reviews made it worth reading.
And for a second opinion on The Guardian's #1 novel, Theo Hobson's Middlemarch is overrated. I did not read Middlemarch until I was in my fifties, which may explain my inclining towards Mr. Hobson's opinion. For me, with the issue being literary skill, it would be Proust by a nose ahead of Ulysses.
sch 5/19
The Spectator's The problem with the Guardian’s top 100 books list has some of my complaints and some of their own.
Two omissions are unpardonable; one old, one young. Tom Jones, that most loved of rollicking adventures, is nowhere, and V. S. Naipaul’s The Enigma of Arrival fails to make the cut, in favour of A House for Mr Biswas. Perhaps Naipaul has been punished for holding the ‘wrong’ views on colonialism, but he will have the last word. The Enigma of Arrival is the book of a lifetime. Our lifetime.
We have been here before, and will certainly come here again. In 1983, when a list was drawn up of ‘the best 100 novels in English since the war’, there was scepticism about Angel, by Elizabeth Taylor. It was not, someone suggested, ‘important’.
Kingsley Amis, in a letter to this magazine, declared that ‘importance in literature is unimportant – good writing is.’ Which is why this latest approved list, endorsed by many well-read people, misses the point. Either read for pleasure, or not at all.
sch 5/20