Thinking on Zora Neale Hurston

 I did not read Zora Neale Thurston until prison. I have written here before about Hurston. She is a writer who has impressed upon me more than one idea. The first one was writing in dialect was possible for a writer of her talents - and I would avoid any other writer who tried doing as she did. 

But the most recent insight she gave me came this past weekend, when half listening to Velshi on MSNBC discuss Hurston's Their Eyes Were Watching God as a banned book. It came to me that Hurston turns upside down the idea that one cannot go home again, and also that one must leave home to be a success. No, I would say she wrote that one can go home again if one loves that home and is loved by that home.

More on Hurston from the L.A. Times: How a new film captured Zora Neale Hurston’s radical authenticity:

Zora Neale Hurston may have been buried in an unmarked grave when she died in 1960, but her star has been rising, posthumously, ever since Alice Walker brought her back to public’s attention in the late 1970s. Hurston’s masterful 1937 novel “Their Eyes Were Watching God” is a staple of college reading lists. Her name has been dropped on TV series ranging from “The Sopranos” to “Godfather of Harlem.” She is widely seen as a trailblazer of Black feminism. And now she’s the subject of a new PBS “American Experience” documentary, “Zora Neale Hurston: Claiming a Space,” which premieres Tuesday on PBS and will be available thereafter on PBS.org.

She’s viewed largely through the lens of her fiction, particularly “Eyes,” the story of a young woman striving for authenticity and independence along with romantic love. But as the new film makes clear, Hurston’s work as an anthropologist was at least as important as her literary output. Traveling alone through the South in a Nash coupe in the ’20s, a gun on her hip, Hurston collected songs, folktales and life stories from Black communities seldom seen or heard. At a time when anthropology was generally viewed as a study of the other, Hurston immersed herself in the lives of her own people.

“I thought I kind of knew everything I needed to know about her,” says Cameo George, the film’s executive producer. “But she had a marked impact on anthropology, and how we study other cultures, and certainly African American culture. Once you understand that, and you think back to the books that you’ve read of hers, you really see that anthropology is an integral part of her literary voice.”

This will be on PBS by the time anyone reads this.

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