I just finished Lillian Hellman's adaptation of Candide. A rough patch here - Lillian Hellman doing a musical feels like a stretch. Doing Candide feels even more of a stretch to me who thinks there are no characters in the original only philosophical puppets manipulated by Voltaire.
And it seems I am not the only one with qualms:
HOW TO SUCCEED AT CANDIDE (WITH REALLY TRYING)
For what else I have written about Hellman, click on the "Theater" link below where it says Labels.
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