I type this with my splint on my left hand. It restricts my typing too much, but not as much as does the tendonitis it restrains. However, I will be brief. Too brief, probably.
While looking at F(r)iction as a possibility for one of my stories, I checked out two of their published stories. Peter H.Z. Hsu's From the Roof of The Henry Vaughn Hotel intimidates me in terms of style and substance, and the heart-wrenching of it all. Samantha Jean Coxal's simplicity and language of her Grief is the Bird also touches my heart
Here is what this publication is looking for:
- strong character arcs in which the narrator is deeply changed by their experiences
- strong character voice and/or perspective
- structure that informs and contributes to understanding content
- language that surprises (who doesn’t like pretty sentences?)
- strange situations, characters, occurrences, you name it—if it’s weird, we want to see it
I do not see any of my stories fitting into these guidelines.
sch 4/14
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