Saturday, July 3, 2021

Appreciating Mae West As a Writer

 Procrastination combined with curiosity detoured me into The New York Times' Mae West Vamped and Winked. She Also Blazed a Trail We’re Still Following. The article gives several reasons for giving more respect to Ms.West.

  The simplest explanation for this exclusion is that West did not direct her own pictures. But she wrote them, often adapting her own plays, a rarity among female performers of the era. And while marquee directors helmed her films (including Leo McCarey, Henry Hathaway and Raoul Walsh), none put their personal stamp on them as she did. A close examination of her first nine films, all released between 1932 and 1940 (and all newly available on Blu-ray, via KL Studio Classics) reveals recurring themes and concerns beyond even the considerable achievement of creating and cultivating her iconic comic persona.

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Still, her scripts were never mere clotheslines on which to hang her double entendres. They were snapshots of life on the fringes, where she herself had dwelled: Bowery bars, vaudeville stages and carnivals, filled with gangsters, boxers and drunks. Perhaps because of her proximity to these worlds, she conveys a palpable affection for lowlifes, eccentrics and outcasts. No one thinks of Mae West as a purveyor of social realism, but perhaps people should. Is “I’m No Angel” less worthy of esteem than a social realist drama like “Dead End” simply because it has more laughs?

Moreover, the personal preoccupations of her work, easily overlooked at the time, become apparent when viewing the films as a whole. Over and over again, West plays an outsider trying, and often failing, to fit in. Her characters are objects of derision, frequently from local women, hypocritical cops or corrupt politicians, who look down on her because she’s in show business, or because she’s a nouveau riche, or (most of all) because she’s sexual. Whatever the reason, she does not “belong.”

Why this caught my eye is I knew she had written some plays and wondered if any where still in print, or had even been put into production. Maybe that would also elevate her status.


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