[ I am back working through my prison journal. It is out of order… Well, the order is as I have opened boxes. The date in the title is the date it was written. I hope this is not confusing. What you are reading is what you get for your tax dollars. sch 10/13/2025]
I read a bit of another inmate's novel. He did not like my critique. He had started with the villain as a small boy, and, then, in the second chapter, makes him the villain with a typical villainous speech. I thought he had a really good first draft, the skeleton for an interesting story. He went away very glum. I got to thinking about villains.
Three novels came particularly to mind: Moby Dick, Elmer Gantry, Crime and Punishment, A Hero For Our Times, and Goldfinger. Those I have read. Paradise Lost also came to mind, but I've not read all of that.
The better villains make us feel sympathy for them. That is Crime and Punishment. Maybe I should note Richard Wright's Native Son here. I'm not so sure Elmer Gantry ever becomes sympathetic - I found Raskolnikov and Gantry far more sympathetic. But Sinclair Lewis does what Lermontov did in A Hero For Our Times, he makes the villainous understandable. By giving us an understanding of the character, we have a better insight into human nature. Auric Goldfinger does nothing more than kickstart the plot.
How to make villains more sympathetic? Let us see the world from their point of view. Neither Elmer Gantry nor Bigger Thomas saw themselves as evil or doing evil. Think of the great evildoers, those of whom we've made bogeyman: Genghis Khan, Napoleon, Hitler, Stalin, Mao, Pol Pot, and so on. They all thought themselves do-gooders. One thing I learned from the years I practiced law was that do-gooders are the most dangerous people - they brook no opposition, all means are justified by their goals, and all their goals are righteous. Satan as written by Milton,, certainly wrote him as being righteous ("It is better to reign in Hell than serve in Heaven.") Captain Ahab is a bit harder - but he makes fierce arguments for his hatred of the White Whale. But the method of Crime and Punishment works best.
And why do this? Increase the dramatic stakes. How else could Milton make Paradise Lost interesting other than make Satan interesting? Richard Wright makes a better case against American racism with Bigger Thomas than with a typical hero.
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